- Character Development
- Original Plot
- Mystery/ Plot twists
- Makeup and costume
I rented this movie figuring that a film with a title like The Raven could go either way — it might be an amazingly clever mystery/horror flick, or it might be a laughable overly-dramatic flop. It was neither. The Raven was very mediocre with unfulfilled potential and average acting. Here’s the rundown of where it soared and where it fell short:
It’s Baltimore, Maryland in the 19th century and the police are investigating a series of murders. Murders that seem very… familiar. In fact, they’re real-life reenactments of stories written by the town drunk, a little-known author named Edgar Allan Poe (John Cusack).
Originally a suspect, Poe is declared innocent of the murders and is recruited by inspector Emmett Fields (Luke Evans) to help solve the crimes. Things get personal when the murderer kidnaps Poe’s beloved Emily Hamilton (Alice Eve). Can Poe and Inspector Fields discover her whereabouts before it’s too late?
The premise, what the movie’s supposed to be and wants to be so bad, is intriguing enough to carry the audience to the finish line. A grisly mystery based on equally grisly stories? Count me in! Although it doesn’t quite live up to expectations, kudos for the creative idea. Execution was lacking, but the backbone of the story was strong.
The beards, the hair, the swooping cloaks! The costume and makeup department put some seriously good work into The Raven. Every pre-kidnapping scene with Emily made me think, “I SO wish I had her hair.” She was rocking some totally Goldilocks tresses all wrapped up in pretty knots and braids or cascading down her back. Beautiful!
We never really got a feel for any of the characters. Poe came off as very depressed and angry but doesn’t have the charisma to make him likable. We never get to see his relationship with Emily develop. There’s also a lot that could’ve been explored with Emily’s father (Brendan Gleeson), who severely disapproves of Poe in general. It’s not an uncommon flaw in mysteries and usually it’s overlooked because the most important thing is the events of the crime, not so much the characters it involves. Unfortunately, there wasn’t much to compensate for the dull characters, which brings me to my next point.
I enjoy a good mystery that’s got an audience-participation vibe. While the detectives onscreen are searching for clues and trying to figure out who did the deed, those watching are trying to make conclusions of their own. For instance, the TV detective show Monk did a good job of putting in a good mix of clues, some that were super-obvious, some that only the most observant viewer could catch, and some that only Monk himself would be able to put together. The Raven completely fails in this regard.
Basically, it’s told with a trail of clues left by a mocking villain. One clue leads to the next, all eventually leading to Emily. But there’s never any “Aha!” moment, no grande coming-together of evidence, and not enough hints for the audience.
Overall Rating: 2.5 Stars
Buy it, Rent it, or Skip it?
Definitely skip The Raven. It’s no good buying or renting a movie that you’ll just forget about a day later and this movie doesn’t have any staying power. At first glance, The Raven’s intriguing and it does have some beautiful costumes, but that’s not enough to redeem an otherwise rather dull film.
‘The Raven’ Movie Trailer